Home Résumé Clips Archives Credentials Contact Me Site Map
Alex Gimenez - Video Editor In LA:
Welcome to the site.

Since its inception, computer controlled editing has changed dramatically with the advent of digital video. This is where the purpose of this site begins. With technology today, one can literally edit a project far form the production area. Studios don't have to be close to the post houses anymore.

My purpose here is to establish a post facility, with a small footprint, that can service clients from anywhere high-speed connections can be found - and I bring the experience and integrity you need for your project. My facility is small but runs with professionally preferred Avid software. It is deep with talent and I offer this site for your review.


I hope you'll find it useful exploring my résumé in this expanded electronic form. My downloadable standard short-form résumé is here as well as things that don't usually appear in résumés such as work ethic and personal philosophy.

This site not only covers the usual notable historical credentials and the experience I have, but it goes back into the archives of what has been an interesting video journey for me. Weaved here and there, I'll cover some areas about myself that will help one to understand what I bring to the table as an editor and how that affects the work I do.

Until you've experienced lifting 2-inch videotapes onto credenza sized Ampex VPR-1's under CMX control, you don't know what a workout you're missing. With technology, tapes got thinner and machines got smaller -- 1-inch helical tapes, Betacam SP, Digital Betacam and SR High Definition Recorders, to sight a few. No longer do editors have to pump as much “Iron Oxide.” In today's digital pen and mouse domain, the editor has to go to the gym to workout if he or she is to stay in reasonable shape.

Along the way I studied art specializing in oil painting and that experience helped me better understand video color. Getting video color right and applying color effects in the early days was a challenge because the tools were so limited in nature. Today, digital color is far more detailed with greater flexibility.

When I was editing
Home Improvement staring Tim Allen, sophisticated special effects were not at all common for the average television show, let alone for a situation comedy. At that time, the executives at Wind Dancer were brave visionaries in letting me bring to bare all the tools a contemporary edit bay offered. By today's standards it didn't have the depth and power available now. With that said, we made history bringing unique 3Dimension and 2Dimension transition effects to the forum for the first time. For this effort, I was fortunate enough to garner two Emmy nominations during the first two seasons of the show.

Another highlight that almost got an Emmy mention was the designing and implementation, for The Disney Channel, of a “Near Real Time” linier tape-to-tape Auto Assembly Program for the “Quaker Town” Promo Campaign. It included Chyron Triggers, Traveling Matte Transitions and ADO follow. This was a massive collaborate effort between promotional, editorial and engineering. The Disney Channel created the graphic elements. I created the editorial flow and engineering wrote the software to make it happen. This was so successful, that Encore, Starion, TVN and PBN used us to create similar auto assembly programs for them.

I've experienced the video evolution go from 2-inch tape Standard Definition to Digital High Definition - from PC70 studio cameras to film style handheld cameras - from the Ampex 30 second Slo-mo disks to Avid Fluid motion time-warps. I can't tell you how many
different pieces of equipment I've learned and operated throughout my career. The de jour flavor of the day is Avid Symphony with an earlier six-year appetizer of Autodesk Smoke. It's interesting how one piece relates to another.



My work ethic and personal philosophy:

“When men speak ill of thee,
live so as nobody may believe them.

Plato

I am motivated and passionate about editing. In today's digital world, there are many more tools available creating greater choices, but story and presentation are still everything. As an editor, to accomplish these objectives, I provide the best service in ethics, enthusiasm and experience. My aim is to present results that 1.) Are of the highest quality for the budget and time frame 2.) Tells the story and 3.) Brings a little more to the table than expected.

My father influenced me greatly with his interest in philosophy, his love of classical music, art, photography and even electronics. As I look back, it is no wonder to me that his penchants became mine too. It started first with music and the violin. As a lad, he played the violin, as did I. Then, following the electronics thread, I studied electrical engineering in college. But, the passion for film won out yielding a Bachelor of Arts degree in Mass Communication from the University of Miami and an internship with a video company that shot film style.

As I mentioned above, I became an artist specializing in oil painting encompassing art in my life. My father was also a notable photographer in his time, receiving national recognition for his works. Sadly, he did not pursue his passion, but he did instill in me the desire to carry mine forward. To help me with this, from a very early age, my father would read wonderful stories to me about the character of great men in history and their contributions. Among them he often mentioned Plato, Confucius and George Washington.

Every child learned that well-known, tall tale of George Washington and the cherry tree. Although my dad told me this simple portrayal of honesty was a fable used to depict Washington's character, it stuck with me throughout my life. He also told me other stories where Washington was shot at in battle - his clothing riddled with bullet holes, but his body miraculously was never hit. Washington was a man of great faith and civility. In his “Rules of Civility & Decent Behavior in Company and Conversation” (writings based on French Jesuits compositions of the late 1500s) Washington wrote, “Labour to keep alive in your breast that little spark of celestial fire, called conscience.”

My dad use to tell me about different philosophers and the different things they said. One lesson he wanted me to learn was if a man throws rose petals toward the heavens, then rose petals will return to him, but if he spits toward the heavens, then sputum will return to him. Although, I'm not sure if Confucius is really the true source, my dad still gave him credit for this.

The content of character against the backdrop of life is a point of view that resonates from my father to me today. I know this awareness makes me better in many ways and by extension it makes me a better editor.

RETURN TO

PREVIOUS

HOME

LOCATION

RETURN TO

PREVIOUS

SITE MAP

LOCATION

TOP